I was thinking "London Calling" by The Clash, but then this happened. I'd been speaking with Murf, afore-mentioned creator of the Murfenbacker, about how Pete Townshend is able to create wonderful overtones and harmonics by layering his guitar tracks. That's why this tune ends in such a rich, multi-layered, harmonically aural experience ... (self larfs, etc.). This is another of those nasty AM radio-type mixes in which I excel, but I like to believe it's due to my 1970s, culturally rich childhood experience. And I did manage to find those overtones.
Recorded using GarageBand and....
- '04 Epiphone Casino
- '84-'87 E-Series Fender Stratocaster
- '04 Rickenbacker 370/12
- '06 Rickenbacker 340/6 VP VB
- '68 Gibson EB-O Custom
- Kawai keyboard with voicings facilitated by GB
- Percussion played and voiced through GB's Musical Typing
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